Interview: Nic Davis, Director
Nic Davis shares his process for directing Emmy award-winning documentary films.
Rhythm and point of view in Billy & Molly
Billy & Molly picks a unique point of view and uses the seasons to structure its intimate story.
Interview: Kenny Miracle, Editor
Kenny Miracle shares his process for editing documentary films.
Sugarcane’s answer to four key questions
Sugarcane shows us how to answers the four questions every viewer needs in a documentary.
Interview: Shawna Schultz, Visual Director
Co-founder of Mass FX Media Shawna Schultz answers questions about her approach for creating impactful visuals for documentaries.
The engaging, changing visuals of Buy Now!
Buy Now! The Shopping Conspiracy shows documentary filmmakers how to creatively visualize their stories, regardless of budget.
Interview: Mac Smith, Sound Designer
Documentary sound editor Mac Smith answers questions about his approach and process.
Crayons & Opera: a case study in visual information
Crayons & Opera answers the three essential questions of a documentary in a way that stokes curiosity.
Interview: Nina Gilden Seavey, Filmmaker & Teacher
Documentary filmmaker and teacher Nina Gilden Seavey answers questions about her approach and process.
The backbone of The Last Repair Shop
The Last Repair Shop uses instruments as its story backbone, and humanizing the topic through the people who repair them.
How Still uses stillness
Still: A Michael J. Fox Movie is a prime example of how stillness can strengthen your documentary.
Interview: Steve Audette, Editor
Documentary editor Steve Audette, ACE answers questions about his approach and process.
Interview: Steve Hullfish, Editor
Documentary editor Steve Hullfish, ACE answers questions about his approach and process.